Journal of Popular Music Studies: 31 (3)

Vol. 31 No. 3, September 2019

- You have accessRestricted access
  Editors’ Note
  Eric Weisbard, Robin James
  
  (pp. 1-2) DOI: 10.1525/jpms.2019.313001
Amplifier
- You have accessRestricted access
  Love In A Cold ClimateCold War, Music, and the Limits of Authenticity
  Gina Arnold
  
  (pp. 3-6) DOI: 10.1525/jpms.2019.313002
- You have accessRestricted access
  A Mashup Returns
  Lauren Jackson
  
  (pp. 7-10) DOI: 10.1525/jpms.2019.313003
Field Notes
- You have accessRestricted access
  This is More of a Comment than a QuestionJPMS Field Notes Plenary Transcript
  Robin James
  
  (pp. 11-28) DOI: 10.1525/jpms.2019.313004
- You have accessRestricted access
  From the Vaults: Teenyboppers, Groupies, and Other GrotesquesGirls and Women and Rock Culture in the 1960s and early 1970s
  Norma Coates
  
  (pp. 29-48) DOI: 10.1525/jpms.2019.313005
- You have accessRestricted access
  Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”
  Leah Branstetter
  
  (pp. 49-54) DOI: 10.1525/jpms.2019.313006
- You have accessRestricted access
  Response to Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”
  Norma Coates
  
  (pp. 55-56) DOI: 10.1525/jpms.2019.313007
Articles
- You have accessRestricted access
  Music All Up and Down the StreetListening to Childhood in James Baldwin’s Little Man, Little Man
  Kyle DeCoste
  
  (pp. 57-72) DOI: 10.1525/jpms.2019.313008
- You have accessRestricted access
  What Makes It Sound ’80s?The Yamaha DX7 Electric Piano Sound
  Megan Lavengood
  
  (pp. 73-94) DOI: 10.1525/jpms.2019.313009
- You have accessRestricted access
  Rhythm and Bluebeat“Jamaican R&B,” Live and on Record, in Early-1960s’ London
  Sean Lorre
  
  (pp. 95-118) DOI: 10.1525/jpms.2019.313010
- You have accessRestricted access
  Playing the SystemThe Capitalist Industry of Participatory Music Education in Rio de Janeiro’s Oficinas
  Andrew Snyder
  
  (pp. 119-144) DOI: 10.1525/jpms.2019.313011
Book Reviews
- You have accessRestricted access
  Review Essay: “Straight Histories of Queer Music”
  Matthew J. Jones
  
  (pp. 145-150) DOI: 10.1525/jpms.2019.313012
- You have accessRestricted access
  Book Review: The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ‘N’ Roll by Randall Stephens
  Ryan Harper
  
  (pp. 151-154) DOI: 10.1525/jpms.2019.313013
- You have accessRestricted access
  Book Review: The Raincoats. 33 1/3 series by Jenn Pelly
  Norma Coates
  
  (pp. 155-158) DOI: 10.1525/jpms.2019.313014
- You have accessRestricted access
  Book Review: The Tide was Always High: The Music of Latin America in Los Angeles edited by Josh Kun
  Jesús Ramos-Kittrell
  
  (pp. 159-162) DOI: 10.1525/jpms.2019.313015
- You have accessRestricted access
  Book Review: Spirituals and the Birth of a Black Entertainment Industry by Sandra Jean Graham
  Alisha L. Jones
  
  (pp. 163-166) DOI: 10.1525/jpms.2019.313016
- You have accessRestricted access
  Book Review: Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster edited by Paul Watt, Derek B. Scott, and Patrick Spedding
  Scott Gac
  
  (pp. 167-168) DOI: 10.1525/jpms.2019.313017
- You have accessRestricted access
  Book Review: Tropical Riffs: Latin America and the Politics of Jazz by Jason Borge
  Alejandra Bronfman
  
  (pp. 169-170) DOI: 10.1525/jpms.2019.313018
- You have accessRestricted access
  Contributors’ Notes
  (pp. 171-172) DOI: 10.1525/jpms.2019.313019

Table of Contents

Amplifier

Field Notes

Articles

Book Reviews

In this issue

Jump to