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Journal of Popular Music Studies

Table of Contents

Vol. 31 No. 3, September 2019

    • You have accessRestricted access
      Editors’ Note
      Eric Weisbard, Robin James
      (pp. 1-2) DOI: 10.1525/jpms.2019.313001
  • Amplifier

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      Love In A Cold ClimateCold War, Music, and the Limits of Authenticity
      Gina Arnold
      (pp. 3-6) DOI: 10.1525/jpms.2019.313002
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      A Mashup Returns
      Lauren Jackson
      (pp. 7-10) DOI: 10.1525/jpms.2019.313003
  • Field Notes

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      This is More of a Comment than a QuestionJPMS Field Notes Plenary Transcript
      Robin James
      (pp. 11-28) DOI: 10.1525/jpms.2019.313004
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      From the Vaults: Teenyboppers, Groupies, and Other GrotesquesGirls and Women and Rock Culture in the 1960s and early 1970s
      Norma Coates
      (pp. 29-48) DOI: 10.1525/jpms.2019.313005
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      Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”
      Leah Branstetter
      (pp. 49-54) DOI: 10.1525/jpms.2019.313006
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      Response to Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”
      Norma Coates
      (pp. 55-56) DOI: 10.1525/jpms.2019.313007
  • Articles

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      Music All Up and Down the StreetListening to Childhood in James Baldwin’s Little Man, Little Man
      Kyle DeCoste
      (pp. 57-72) DOI: 10.1525/jpms.2019.313008
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      What Makes It Sound ’80s?The Yamaha DX7 Electric Piano Sound
      Megan Lavengood
      (pp. 73-94) DOI: 10.1525/jpms.2019.313009
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      Rhythm and Bluebeat“Jamaican R&B,” Live and on Record, in Early-1960s’ London
      Sean Lorre
      (pp. 95-118) DOI: 10.1525/jpms.2019.313010
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      Playing the SystemThe Capitalist Industry of Participatory Music Education in Rio de Janeiro’s Oficinas
      Andrew Snyder
      (pp. 119-144) DOI: 10.1525/jpms.2019.313011
  • Book Reviews

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      Review Essay: “Straight Histories of Queer Music”
      Matthew J. Jones
      (pp. 145-150) DOI: 10.1525/jpms.2019.313012
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      Book Review: The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ‘N’ Roll by Randall Stephens
      Ryan Harper
      (pp. 151-154) DOI: 10.1525/jpms.2019.313013
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      Book Review: The Raincoats. 33 1/3 series by Jenn Pelly
      Norma Coates
      (pp. 155-158) DOI: 10.1525/jpms.2019.313014
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      Book Review: The Tide was Always High: The Music of Latin America in Los Angeles edited by Josh Kun
      Jesús Ramos-Kittrell
      (pp. 159-162) DOI: 10.1525/jpms.2019.313015
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      Book Review: Spirituals and the Birth of a Black Entertainment Industry by Sandra Jean Graham
      Alisha L. Jones
      (pp. 163-166) DOI: 10.1525/jpms.2019.313016
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      Book Review: Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster edited by Paul Watt, Derek B. Scott, and Patrick Spedding
      Scott Gac
      (pp. 167-168) DOI: 10.1525/jpms.2019.313017
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      Book Review: Tropical Riffs: Latin America and the Politics of Jazz by Jason Borge
      Alejandra Bronfman
      (pp. 169-170) DOI: 10.1525/jpms.2019.313018
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      Contributors’ Notes
      (pp. 171-172) DOI: 10.1525/jpms.2019.313019
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Journal of Popular Music Studies: 31 (3)
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