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Journal of Popular Music Studies

Table of Contents

Vol. 31 No. 1, March 2019

    • You have accessRestricted access
      Editors’ Note
      Eric Weisbard, Robin James
      (pp. 1-2) DOI: 10.1525/jpms.2019.311001
  • Amplifier

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      Remembering Aretha Franklin
      Robert Fink, Eric Weisbard, Carola Dibbell, Georgia Christgau, Greg Tate, Dj Lynnée Denise
      (pp. 3-14) DOI: 10.1525/jpms.2019.311002
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      Island Girl in a Rock-and-Roll WorldAn Interview with June Millington by Theo Gonzalves and Gayle Wald
      Gayle Wald, Theo Gonzalves
      (pp. 15-28) DOI: 10.1525/jpms.2019.311003
  • Field Notes

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      Timbre Is a Many-Splendored Thing
      Steve Waksman, Megan Lavengood, Zachary Wallmark, Robert Fink, Catherine Provenzano
      (pp. 29-40) DOI: 10.1525/jpms.2019.311004
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      Tracking the DJsVinyl Records, Work, and the Debate over New Technologies
      Rebekah Farrugia, Thomas Swiss
      (pp. 41-52) DOI: 10.1525/jpms.2019.311005
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      Microwave DJsA Revisit of Farrugia and Swiss’s “Tracking the DJs” (JPMS, 17.1)
      Oliver Wang
      (pp. 53-60) DOI: 10.1525/jpms.2019.311006
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      Response to Microwave DJsA Revisit of Farrugia and Swiss’ “Tracking the DJs” (JPMS, 17.1)
      Rebekah Farrugia
      (pp. 61-64) DOI: 10.1525/jpms.2019.311007
  • Articles

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      Salsa’s Unruly AuditionAbnormal Feelings for the 1970s Fania All-Stars
      Ren Ellis Neyra
      (pp. 65-86) DOI: 10.1525/jpms.2019.311008
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      The Colors and Flavors of My Puerto RicoMapping “Despacito”’s Crossovers
      Petra Rivera-Rideau, Jericko Torres-Leschnik
      (pp. 87-108) DOI: 10.1525/jpms.2019.311009
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      Sampling LisbonKuduro and the Lusophone Imagination
      Jorge de La Barre
      (pp. 109-130) DOI: 10.1525/jpms.2019.311010
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      The “Manic Pixie Dream Girl of the Synth-Pop World” and Her “Baby Doll Lisp”Grimes and the Disabling Logics of the Feminization and Infantilization of Lisping
      Jessica A. Holmes
      (pp. 131-156) DOI: 10.1525/jpms.2019.311011
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      ForeWomenEunice Kathleen Waymon, Nina Simone, Talib Kweli, DJ Hi Tek, and the Politics of Self-Creation
      Alexander Ponomareff
      (pp. 157-174) DOI: 10.1525/jpms.2019.311012
  • Book Reviews

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      Book Review: Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins by David F. Garcia
      Michael Birenbaum Quintero
      (pp. 175-178) DOI: 10.1525/jpms.2019.311013
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      Book Review: The Honky Tonk on the Left: Progressive Thought in Country Music edited by Mark Allan Jackson
      Leigh H. Edwards
      (pp. 179-182) DOI: 10.1525/jpms.2019.311014
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      Book Review: The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture by Dale Chapman
      Morgan Luker
      (pp. 183-186) DOI: 10.1525/jpms.2019.311015
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      Book Review: Experimentalisms in Practice by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid. On Site, In Sound by Kirstie A. Dorr
      Shannon Garland
      (pp. 187-192) DOI: 10.1525/jpms.2019.311016
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      Contributors’ Notes
      (pp. 193-196) DOI: 10.1525/jpms.2019.311017
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Journal of Popular Music Studies: 31 (1)
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