Journal of Popular Music Studies: 31 (1)

Vol. 31 No. 1, March 2019

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  Editors’ Note
  Eric Weisbard, Robin James
  
  (pp. 1-2) DOI: 10.1525/jpms.2019.311001
Amplifier
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  Remembering Aretha Franklin
  Robert Fink, Eric Weisbard, Carola Dibbell, Georgia Christgau, Greg Tate, Dj Lynnée Denise
  
  (pp. 3-14) DOI: 10.1525/jpms.2019.311002
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  Island Girl in a Rock-and-Roll WorldAn Interview with June Millington by Theo Gonzalves and Gayle Wald
  Gayle Wald, Theo Gonzalves
  
  (pp. 15-28) DOI: 10.1525/jpms.2019.311003
Field Notes
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  Timbre Is a Many-Splendored Thing
  Steve Waksman, Megan Lavengood, Zachary Wallmark, Robert Fink, Catherine Provenzano
  
  (pp. 29-40) DOI: 10.1525/jpms.2019.311004
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  Tracking the DJsVinyl Records, Work, and the Debate over New Technologies
  Rebekah Farrugia, Thomas Swiss
  
  (pp. 41-52) DOI: 10.1525/jpms.2019.311005
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  Microwave DJsA Revisit of Farrugia and Swiss’s “Tracking the DJs” (JPMS, 17.1)
  Oliver Wang
  
  (pp. 53-60) DOI: 10.1525/jpms.2019.311006
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  Response to Microwave DJsA Revisit of Farrugia and Swiss’ “Tracking the DJs” (JPMS, 17.1)
  Rebekah Farrugia
  
  (pp. 61-64) DOI: 10.1525/jpms.2019.311007
Articles
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  Salsa’s Unruly AuditionAbnormal Feelings for the 1970s Fania All-Stars
  Ren Ellis Neyra
  
  (pp. 65-86) DOI: 10.1525/jpms.2019.311008
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  The Colors and Flavors of My Puerto RicoMapping “Despacito”’s Crossovers
  Petra Rivera-Rideau, Jericko Torres-Leschnik
  
  (pp. 87-108) DOI: 10.1525/jpms.2019.311009
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  Sampling LisbonKuduro and the Lusophone Imagination
  Jorge de La Barre
  
  (pp. 109-130) DOI: 10.1525/jpms.2019.311010
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  The “Manic Pixie Dream Girl of the Synth-Pop World” and Her “Baby Doll Lisp”Grimes and the Disabling Logics of the Feminization and Infantilization of Lisping
  Jessica A. Holmes
  
  (pp. 131-156) DOI: 10.1525/jpms.2019.311011
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  ForeWomenEunice Kathleen Waymon, Nina Simone, Talib Kweli, DJ Hi Tek, and the Politics of Self-Creation
  Alexander Ponomareff
  
  (pp. 157-174) DOI: 10.1525/jpms.2019.311012
Book Reviews
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  Book Review: Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins by David F. Garcia
  Michael Birenbaum Quintero
  
  (pp. 175-178) DOI: 10.1525/jpms.2019.311013
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  Book Review: The Honky Tonk on the Left: Progressive Thought in Country Music edited by Mark Allan Jackson
  Leigh H. Edwards
  
  (pp. 179-182) DOI: 10.1525/jpms.2019.311014
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  Book Review: The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture by Dale Chapman
  Morgan Luker
  
  (pp. 183-186) DOI: 10.1525/jpms.2019.311015
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  Book Review: Experimentalisms in Practice by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid. On Site, In Sound by Kirstie A. Dorr
  Shannon Garland
  
  (pp. 187-192) DOI: 10.1525/jpms.2019.311016
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  Contributors’ Notes
  (pp. 193-196) DOI: 10.1525/jpms.2019.311017

Table of Contents

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Field Notes

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